thomas denenberg painting a nation american art at shelburne museum

Thomas Denenberg. Painting a Nation: American Art at Shelburne Museum

Thomas Denenberg. Painting a Nation: American Art at Shelburne Museum

Пр-во: Республика

An in-depth look at one of the richest collections of American art, assembled by Electra Havemeyer Webb, renowned collector and founder of Shelburne Museum.Electra Havemeyer Webb assembled Shelburne Museum’s trove of American paintings in the late 1950s, creating a renowned and rich survey of American portraits, landscapes, marine paintings, sporting art, still lifes, and genre scenes from the eighteenth to the early twentieth centuries. During an era that preferred European modernism and abstraction, Webb’s visionary endeavor presented a new story of the United States: an attractive and industrious nation with its own valuable artistic traditions. This handsome book features the best of Shelburne’s American paintings, including works by colonial painters John Wollaston and John Singleton Copley, portraits by William Matthew Prior and Ammi Phillips, Hudson River School landcapes by Thomas Cole, Albert Bierstadt, and John Frederick Kensett, and scenes of American life by Eastman Johnson, Winslow Homer, Andrew Wyeth, and many more. The collection is also notable for its great depth in the works by Fitz Henry Lane, Martin Johnson Heade, Arthur Fitzwilliam Tait, Carl Rungius, Grandma Moses, and Ogden Pleissner.

3900 Руб.

Rabley Stephen Marcel and the Mona Lisa

Rabley Stephen Marcel and the Mona Lisa

Пр-во:

Marcel is a French mouse, and a detective. One evening, at the Louvre museum, he sees a man steal a famous painting – the Mona Lisa. Marcel follows the thief to Venice and risks his life to get the painting back again.

2144 Руб.

Rabley Stephen Marcel and the Mona Lisa (+CD)

Rabley Stephen Marcel and the Mona Lisa (+CD)

Пр-во:

Marcel is a French mouse, and a detective. One evening, at the Louvre museum, he sees a man steal a famous painting – the Mona Lisa. Marcel follows the thief to Venice and risks his life to get the painting back again.

3299 Руб.

Lanchner Carolyn Paul Cezanne

Lanchner Carolyn Paul Cezanne

Пр-во:

Paul Cezanne died in 1906, only six years into the twentieth century, but he is widely considered the founding figure of modernist painting, the artist whom Pablo Picasso called "the father of us all." This new volume in the MoMA artist series guides readers through ten memorable works by Cezanne in the collection of The Museum of Modern Art. His iconic paintings "The Bather" and "Boy in a Red Vest" are featured, along with still lifes and landscapes from earlier and later years. Carolyn Lanchner, a former curator of painting and sculpture at the Museum, contributes essays that illuminate each work.

795 Руб.

Cotton Charlotte The Photograph as Contemporary Art

Cotton Charlotte The Photograph as Contemporary Art

Пр-во:

In the 21st century photography has come of age as a contemporary art form Almost two centuries after photography was first invented, the art world has fully embraced photography as a legitimate medium, equal in status to painting and sculpture. In light of these exciting developments, this book provides an introduction to contemporary art photography, identifying its most important features and themes and celebrating its exciting pluralism through an overview of its most important and innovative practitioners. The nearly 250 photographers whose work is reproduced in the book range from established artists such as Isa Genzken, Jeff Wall, Sophie Calle, Thomas Demand, Nan Goldin and Sherrie Levine to emerging talents such as Walead Beshty, Jason Evans, Lucas Blalock, Sara VanDerBeek and Viviane Sassen. This new edition brings the story of contemporary art photography up to date with a revised introduction outlining the evolution of photography from documentary tool to art form, and an updated final chapter focusing on the younger generation of artists who emphasize the technical and material properties of photography, employ it as part of a wider pan-media practice, or respond to evolving new modes of dissemination in the digital age. Charlotte Cotton is a curator and writer. She has held positions including Head of the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Head of Programming at the Photographers' Gallery, London, Creative Director at the National Media Museum, UK and Curator of Photography at the Victoria & Albert Museum, London. Cotton has curated a number of exhibitions on contemporary photography and her publications include Imperfect Beauty, Then Things Went Quiet and Guy Bourdin. 3rd Edition.

2705 Руб.

Bernhard Thomas Old Masters. A Comedy

Bernhard Thomas Old Masters. A Comedy

Пр-во:

Old Masters (1985) is Thomas Bernhard's devilishly funny story about the friendship between two old men. For over thirty years Reger, a music critic, has sat on the same bench in front of a Tintoretto painting in a Viennese museum, thinking and railing against contemporary society, his fellow men, artists, the weather, even the state of public lavatories. His friend Atzbacher has been summoned to meet him, and through his eyes we learn more about Reger - the tragic death of his wife, his thoughts of suicide and, eventually, the true purpose of their appointment. At once pessimistic and exuberant, rancorous and hilarious, Old Masters is a richly satirical portrait of culture, genius, nationhood, class, the value of art and the pretensions of humanity.

2421 Руб.

Гусев Владимир Александрович Русский музей: Альбом путеводитель, на английском языке

Гусев Владимир Александрович Русский музей: Альбом путеводитель, на английском языке

Пр-во:

The Russian Museum was opened in 1895, by a decree of Tsar Alexander III, and as such was the first state owned museum of art in Russia. Housed in the Mikhailovsky Palace (architect C.Rossi), the Museum numbers nearly 400.000 exhibits, and has a huge range of Russian art which rival that of the Tretiakov in Moscow. The exhibits date from ancient icons to the Avant-garde school of painting of the 20th century, and include many landmarks in the history of Russian art, such as Bruillov's 'The Last Day of Pompeii', and Repin's 'The Barge Haulers'.

919 Руб.

Nicholas Roerich

Nicholas Roerich

Пр-во:

The Tatarstan State Museum of ine Arts, Museum of the Art of Asian Peoples, Tretyakov Gallery, Nizhnegorod State Museum of Fine Arts, the Smolensk State Museum, and the Academy of Arts contributed works to this catalogue of an exhibition that publishes works from various periods of Roerich's half century of painting: scenes of ancient history, legend, and mythology; set, costume, and curtain design for theatrical works such as Borodin's Prince Igor, Stravinsky's Rites of Spring; and a recurrent theme of Roerich's art: Asia, its severe and beautiful landscape, harmonious settlements, and solemn shrines. As much of a philosopher as an artist, Roerich spent much of his life pursuing and expressing a higher ideal, which he saw in myths and legends and in the timeless landscapes of mountain peoples. At first glance his paintings can seem monotonous but upon closer look one sees the nuances of color and subtle ways in which Roerich interwove the human and the natural worlds. An appendix reprints articles by contemporaries and excerpts from Roerich's writings.

2794 Руб.

Duchting Hajo Cezanne

Duchting Hajo Cezanne

Пр-во:

Perhaps best known for his exceptional apples and pears, Paul Cezanne (1839-1906) was one of the founding fathers of modern art. Though he was underappreciated and highly criticized during his life, as time passed Cezanne's work came to be considered of inestimable importance. His method of experimentation with abstraction and perspective was an important precursor to modern painting, particularly cubism. About the author: Hajo Duchting (b. 1949 in Dusseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay's Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrucken and Mainz. Since 2004 he has taught painting and colour theory at the Mediadesign Akademie in Munich. Duchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cezanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999). Издание на английском языке.

1012 Руб.

Budraitkis I., Zhilyaev A. Pedagogical Poem. The Archive of the Future Museum of History

Budraitkis I., Zhilyaev A. Pedagogical Poem. The Archive of the Future Museum of History

Пр-во:

A fascinating project involving art, history, and literature. Pedagogical Poem is an interdisciplinary research program and exhibition conceived by Arseny Zhilyaev and Ilya Budraitskis and organized by the V-A-C Foundation. This unique project bridges history, contemporary art, and pedagogy. It originated from a series of over 100 lectures and seminars conducted by Russian and international artists, historians, and cultural theorists at the Presnya Historical Memorial Museum, Moscow, from March to November 2012.The project culminated in the exhibition The Archive of the Future Museum of History devised by a group of participants at the Pedagogical Poem series and presented at the museum as the outcome of the educational program and independent archival research work carried out there. . .

1399 Руб.

Budraitkis I., Zhilyaev A. Pedagogical Poem. The Archive of the Future Museum of History

Budraitkis I., Zhilyaev A. Pedagogical Poem. The Archive of the Future Museum of History

Пр-во:

A fascinating project involving art, history, and literature. Pedagogical Poem is an interdisciplinary research program and exhibition conceived by Arseny Zhilyaev and Ilya Budraitskis and organized by the V-A-C Foundation. This unique project bridges history, contemporary art, and pedagogy. It originated from a series of over 100 lectures and seminars conducted by Russian and international artists, historians, and cultural theorists at the Presnya Historical Memorial Museum, Moscow, from March to November 2012.The project culminated in the exhibition The Archive of the Future Museum of History devised by a group of participants at the Pedagogical Poem series and presented at the museum as the outcome of the educational program and independent archival research work carried out there. . .

1399 Руб.

Evans Virginia, Дули Дженни A World of Art. Reader

Evans Virginia, Дули Дженни A World of Art. Reader

Пр-во:

Explore our World CLIL Readers are graded readers from levels 1-6. They cover a range of subjects and themes, promoting Content and Language Integrated Learning (CLIL). A World of Art (Art) takes a look at different art forms and explores the many ways artists express themselves! - What is a landscape painting? - What is pottery made of? - Where can you see a mural?

882 Руб.

Baal-Teshuva Jacob Rothko

Baal-Teshuva Jacob Rothko

Пр-во:

One of the most esteemed abstract expressionists and greatest painters of the 20th century Mark Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as "a consummated experience between picture and onlooker". His colour formations indeed draw the observer into a space filled with an inner light. Rothko always resisted attempts to interpret his paintings. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension. Rothko was an intellectual, a thinker, a highly educated man. He loved music and literature and was very involved in philosophy, especially in the works of Friedrich Wilhelm Nietzsche and of ancient Greek philosophy and mythology. Rothko was a protagonist within the movement of American painters who became known as the Abstract Expressionists. First formed in New York City during the inter-war years, this group was also called the New York School. In all the history of art, they became the first American artists to receive international recognition as a significant movement. Many among them, including Rothko, have become legendary figures. About the author: Jacob Baal-Teshuva, born 1929, is author, critic and independent curator of museum shows. He studied at the Hebrew university in Jerusalem and the New York University. His numerous publications include works on Marc Chagall, Alexander Calder, Jean-Michel Basquiat, Andy Warhol and Christo and Jeanne-Claude. Jacob Baal-Teshuva lives and works in New York and Paris. Издание на английском языке.

1012 Руб.

Jamal R. African American Tarot (78 Cards with Instructions)

Jamal R. African American Tarot (78 Cards with Instructions)

Пр-во:

African American Tarot - Jamal R. & Thomas DavisThese cards are dedicated to the African American identity that is so rich in traditions, art, rituals and a beautiful history.Instruction booklet in the languages: English, Spanish, Italian, French & German...

2309 Руб.

Jamal R. African American Tarot (78 Cards with Instructions)

Jamal R. African American Tarot (78 Cards with Instructions)

Пр-во:

African American Tarot - Jamal R. & Thomas DavisThese cards are dedicated to the African American identity that is so rich in traditions, art, rituals and a beautiful history.Instruction booklet in the languages: English, Spanish, Italian, French & German...

2309 Руб.

Museum of Proletarian Culture. The Industrialization of Bohemia

Museum of Proletarian Culture. The Industrialization of Bohemia

Пр-во:

Try and imagine what a museum of creativity looks like. This book tells of a challenging exhibition held in one of the major Russian museums-the Tretyakov Gallery in Moscow. Arseniy Zhilyaev created a conceptual project for an imaginary museum. The viewer sees into the future after the liberation/revolution and is confronted with a radically different outlook on the history of twentieth-century art. At the core of the exhibition, there turns out to be a complex dialectic in the relationship between museum and artist: how does an artists work come to be exhibited in a museum? When and why does an artist engage in artistic creation outside the museum walls? Is the museum the space in which a "happening" takes place? The book includes texts by Russian and foreign art critics as well as a number of previously untranslated Soviet avant-garde texts about museums and proletarian folklore. 0

759 Руб.

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